James Joyce’s A Portrait of An Artist as a Young Man
When I began reading A Portrait of An Artists as a Young Man, I was a bit worried. The stream of consciousness style (including a lack of dates and chronological order) was, at first, difficult to immerse myself in. As the pages turned, I became more and more involved in the individual experiences of Stephen Dedalus as well as how those remembrances were triggered and less in whether or not those experiences created a linear timeline.
It is evident from the first half of the novel that James Joyce’s has written a bildungsroman; although, the tone of the book is not very “happy.” We see Stephen grow from a timid young man, who admires all aspects of his family, to an almost cold cynic, who can see through his own father’s happiness. He often refers to the power of just one word- that, in turn, leads him to an entire conclusion or scene. The title clues us into these beginnings of an artist. There are many important themes in A Portrait of An Artist as a Young Man: nationality, religion, family, self, etc. The book evolves from the contradictions, the push and pull of each, against an individual. The formation of Stephen Dedalus as both an artist and a man arises from these opposing forces.
Monday, April 12, 2010
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Pittsburgh--I like the idea of discussing the opposing forces that operate in Stephen's life. Many of them are contradictory, and exploring some of those contradictions could give you a strong focus.
ReplyDeleteAnd the specific German name for this type of fiction is kunstlerroman, the development of the artistic consciousness. Goethe's Sorrows of Young Werther is another example.